All instruments

On this page you will find links to our current stock of all instruments. Click on the 'Images' links to see graphics or use the menu on the right hand side to list specific instrument types.

All instruments by Category (value)

Most recent additions:

Showcase instrument:

From time to time we high-light an instrument or bow which we consider to be special, regardless of its value. Unique playing qualities or strong investment potential may catch our eye.

  • Ref: 168 Type: Violin Maker: Nicolo Gagliano Year: 1756 Category: Rare and Special

If at any time you have a special request, like a particular instrument or bow, then please email or phone us with your details. We shall be pleased to do our best for you.

All instruments: Rare and Special

Ref: 100 Type: Cello Maker: Arthur & John Betts Origin: English Year: c.1830 Back length: 754mm Status: Sold or on reserve

A very fine and rare English 'cello by Arthur and John Betts of London, made circa 1830. This unique instrument represents their finest work. It is in an almost mint condition and sold with the certificate of W. E. Hill & Sons, London.

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Ref: 180 Type: Cello Maker: Auguste Bernadel Origin: French Year: 1862 Back length: 760mm Status: Sold or on reserve

We are pleased to offer an exceptional and rare 19th Century 'cello made by the great French and Parisian maker, AUGUSTE SEBASTIAN BERNADEL (known as 'Bernadel Pere'). Instruments of this quality and condition (this 'cello is in a mint condition) appear on the market once in a lifetime, let alone the work of the great Bernadel. The 'cello contains the maker's original printed label at the rue Croix des Petits Champs, Paris, dated 1862, together with the signature of Bernadel on the inner back. Covered in a rich, deep, red-brown varnish, the 'cello has a superb, solo quality tone. (Sold with the certificate of Rampel-Vatelot at Paris, dated 2009). [images pending]

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Ref: 173 Type: Violin Maker: Enrico Politi Origin: Italian Year: 1934 Back length: 354mm

This exceptional Italian violin, made by Enrico Politi, represents an example of the finest Italian work which was being produced in the early part of the 20th century. It bears the maker's original printed label, dated 1934, at Rome. This copy of a 'Guarneri del Gesu' is in a fine condition. The varnish, a rich golden-brown colour, is especially fine and very transparent. The owner of this instrument has used it for many years of professional work. As one would expect, the tone is superb.

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Ref: 186 Type: Violin Maker: Francois Pique Origin: French Year: c.1790 Back length: 357mm Status: Sold or on reserve

FRANCOIS LOUIS PIQUE is rightly regarded as one of France's greatest makers, alongside his contemporary Lupot, with whom he collaborated on many occasions. Pique was born in the Vosges region of France and moved to Paris in 1777 and worked there through the upheaval of the Revolution until about 1816. The greatest influence for both these makers was Strad, whose model and ideas they adopted almost as a 'de rigour, whilst others were still making in the 'old' fashion. This violin, dating from circa 1790 is a very fine example of his work and is in a very fine condition. The choice of wood is exceptional and the varnish is a rich, red-brown colour. The tone is equally exceptional; it is strong, resonant and rich and easily produced. [Sold with the certificate of 'W. E. Hill & Sons' of London, dated 1943.]

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Ref: 105 Type: Violin Maker: Gagliano Origin: Italian Year: c.1760 Back length: 355mm

This fine Italian violin, made by a member of the Gagliano family, bears a printed label of Allesandro Gagliano dated 1720. This is a most interesting Neapolitan violin, whose sound holes resemble the work of Allesandro. The fine varnish, typical of the best of the Gagliano family, is a lovely orange- brown colour. The tone of this instrument is of soloist quality. (Certificate of Biddulph, Hanover Square, London).

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Ref: 188 Type: Violin Maker: Giulio Degani Origin: Italian Year: 1894 Back length: 359mm

The father and son Eugenio and Giulio DEGANI represent the unique Venetian School of making which flourished at the end of the 19th and early 20th Century. Their instruments show a refreshing insight into the individual style of making and design. Nevertheless, there is no compromise for superb craftsmanship and a supreme choice of wood.

Giulio DEGANI was born in 1875 and worked with his father for several years, enhancing and sometimes emulating the style of his father's work.

1894 was the beginning of a turning point for Giulio, who won a coveted prize at the Milan exhibition. By 1898 he had taken over the day-to-day running of his father's workshop, but by 1922 had made the decision to emigrate to America, where he remained until his death in 1955.

The violin which we proudly offer was made in 1894 and could well have been the very instrument which he exhibited at the Milan exhibition. It certainly is an exceptional violin; statuesque and proud it defines Giulio's best. The work is impeccable and the varnish a soft, golden-brown colour. It is in a mint condition and possesses a tone of extraordinary beauty and depth with superb resonance. [Ref: Another Giulio Degani violin of the same year 1894 and which seems like the twin brother of this one, appears on page 154 of Atemio Versari's superb book of 'Great Italian Violin Makers']

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Ref: 169 Type: Violin Maker: Johannes Antonius Marchi Origin: Italian Year: 1761 Back length: 354mm

A fine and rare Italian violin made by Joannes Antonius MARCHI of Bologne. Machi was a maker who enjoyed a great reputation during his working life in Bologne, which spanned the years 1660 to 1730. He was also responsible for writing one of the first authoritative books on violin construction. This instrument is of medium arching and is made from very attractive woods, with a table which is from a spruce that has fine acoustic properties. The vanish is typical of this maker and is of a honey, light-brown colour. Bearing its original printed label dated 1761, this violin is in a very good condition and has been the principle working violin of a professional musician for many years. In terms of tone, it is bold and cannon-like, but extremely responsive and with a great carrying power. [Sold with the certificate of Etienne Vatelot, Paris, dated 1967, stating that the head is not original, but by a contemporary Italian maker].

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Ref: 164 Type: Violin Maker: Luigi Marconcini Origin: Italian Year: 1793 Back length: 353mm Status: Sold or on reserve

An opportunity to acquire a truly magnificent classical Italian violin which is in a remarkably fine condition. Luigi Marconcini was a maker living in Ferrara whose work was extremely fine. The choice and quality of wood is exceptional and the varnish a light reddish brown colour of great depth and transparency. [This is offered with two certificates from John & Arthur Beare, London, dated 1983 and 1998.]

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Ref: 184 Type: Violin Maker: Mario Capicchioni Origin: Italian Year: 1987 Back length: 356mm Status: Sold or on reserve

An exceptionally fine, modern Italian violin made by MARIO CAPICCHIONI at Rimini in 1987. This beautiful Guarneri copy is in a perfect state and has been the concert instrument of a professional musician for many years [It is sold with the certificate of Eric Blot of Cremona dated October 2002 and is also illustrated on page 177 in the authoritative book on the Capicchioni family by Marcello Villa]. Apart from the superb craftsmanship of Capicchioni instruments, they are renowned for their rich, brilliant yet sympathetic tone and this violin possesses all these qualities.

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Mario Capicchioni Violin Ref: 184 image 1 Mario Capicchioni Violin Ref: 184 image 2 Mario Capicchioni Violin Ref: 184 image 3

Showcase instrument

Ref: 168
Type: Violin
Maker: Nicolo Gagliano
Origin: Italian
Year: 1756
Back length: 356mm
Status: Sold or on reserve

We are pleased to offer, on behalf of a retired professional musician and soloist, an Italian violin made by Nicolo Gagliano of Naples in 1756. The previous owner, the distinguished Argentinian soloist, Alberto Lysy used it for several years as his main concert instrument. This exquisite violin represents the finest work of Gagliano and is in an almost perfect state. The rich velvety varnish is a beautiful warm orange brown colour and the tone of this violin is outstanding. Sold with the certificate of J & Arthur Beare, London.

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All instruments: £10,001 - £20,000

Ref: 126 Type: Violin Maker: Albertus Blanchi Origin: French Year: 1904 Back length: 351mm

Another fine example from the South of France, this violin is in a near perfect, original state and is made from the choicest of wood. The varnish is a fine honey colour and the tone is clear, rich and vibrant. ALBERTUS BLANCHI has used the model of Sanctus Seraphin in this violin. The workmanship is of the highest quality, with a superb scroll and purfling. Albertus Blanchi and his father Augustin, worked at Nice and established this fine school of making which has more to do with the Italian school than the French. Their immediate predecessors were Pierre Pascherel in Nice and his teacher, Pressenda at Turin in Italy.

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Ref: 110 Type: Violin Maker: Barbet & Granier Marseille Origin: French Year: 1898 Back length: 356mm Status: Sold or on reserve

The South of France school of making has produced some outstanding makers over the past two centuries. Charles Barbet & Edmund Granier of Marseille were at the forefront at the turn of the 19th century. Their association began in 1877 and continued until about 1912, having established a fine workshop in the Rue du Paradis, in the central part of Marseille very close to the opera house. The shop is still in existence today. The quality of the instruments that they made were of the the highest standard and their reputation rightly increased. This violin, inspired by the Strad model, is an exceptional instrument. The wood is very attractive and the overall craftsmanship almost flawless. The transparent oil vanish is a light red, orange-brown colour, tastefully shaded and antiqued. The sound is responsive, even and with a power that can be tapped into.

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Ref: 163 Type: Violin Maker: French school Origin: French Year: c.1760 Back length: 356mm

This is an outstanding mid 18th Century French violin of the Paris school made by a follower of Andrea Castagnieri. The violin is in a very fine condition and is covered with a beautiful light rose-brown coloured varnish. In terms of sound and tonal quality it is an exceptional violin, possessing great power, projection and clarity together with an evenness across all strings. The player will be delighted with the many tone colours that are available to be explored.

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Ref: 127 Type: Violin Maker: George Mougenot Origin: Belgian Year: 1886 Back length: 359mm

GEORGE MOUGENOT was born in Mirecourt, France in 1843 where he was apprenticed to George Deroux and after working for various makers went to Liege and finally Brussels where he settled for the rest of his life, establishing a workshop of the highest standard and ever increasing popularity. In fact, this workshop was previously owned by Nicholas Vuillaume whose own reputation was known and respected throughout Europe. Today, Mougenot's work is regarded as being of the finest quality, both for craftsmanship and tone; even those instruments produced in his workshop by his assistants. He was the recipient of many gold and silver awards offered at various European conventions. This Strad copy is in a mint condition and of superb craftsmanship, covered in a fine, honey coloured varnish. The tone has a clear, bell-like quality, but of great depth.

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Ref: 109 Type: Violin Maker: George Wulme-Hudson Origin: English Year: 1930 Back length: 356mm Status: Sold or on reserve

This English violin, made by one of Britain's great 20th Century makers, is a copy of an old Italian master and was for many years masquerading as an Italian instrument made by Michel DECONET of Venice dated "17..". This particular violin is an example of his finest work, and as the images testify, it is made from the finest wood and covered in a beautiful oil varnish of an antiqued red, golden brown colour. This violin is in a mint condition.

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Ref: 112 Type: Violin Maker: George Wulme-Hudson Origin: English Year: c.1925 Back length: 356mm Status: Sold or on reserve

Another fine example from this great English maker, this violin is a Guarneri copy in a near perfect condition. The tone is remarkably responsive and has great carrying power.

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Ref: 165 Type: Violin Maker: George Wulme-Hudson Origin: English Year: 1900 Back length: 357mm

This violin is a very fine and early example of the work of one of Britain's most outstanding early 20th Century makers. His work is universally recognised for superb craftsmanship and his antiqued copies in particular are some of the finest in existence. This Strad copy, made when he was 33 years of age, is of the choicest wood and covered in a beautiful oil varnish of a light red-brown colour. Tonally, it is full and rich.

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Ref: 107 Type: Violin Maker: Guiseppe Puglisi Origin: Italian Year: 1914 Back length: 353mm Status: Sold or on reserve

This violin is in a good, but slightly restored condition and represents the honest work of this well known Italian maker. It is labelled from Catania, 1914 and numbered '27L' [sold with the certificate of Eric Blot of Cremona.]

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Ref: 183 Type: Cello Maker: Gustave Bazin Origin: French Year: c.1890 Back length: 757mm

The BAZIN family of France excelled themselves as great bow makers. GUSTAVE BAZIN although a trained bow maker originally, concentrated his abilities and efforts into becoming an instrument maker. So good was his work, J.B.COLLIN-MEZIN employed him as his top craftsman for several years. His neat work and use of the finest wood can be seen in this 'cello from the 1890s. It is in an almost mint condition (highly rare for a 'cello of this age!) and has a superb tone. [images pending]

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Ref: 114 Type: Violin Maker: Jules Grandjon Origin: French Year: c.1860 Back length: 359mm

JULES GRANDJON was born in Mirecourt, France in 1824, learning his trade in the workshop of his father. He then moved to Paris to improve his skills by working with several of the capital's best makers and three years in Amsterdam with Louis Bernadel. He returned to Paris by 1850 and stayed there for several years, before establishing a large and famous workshop in Mirecourt. This Strad inspired violin was made circa 1860 and is a fine example of his personal work, bearing his printed label. It is in a mint condition and covered with his typical varnish of a superb quality, which is gently shaded and antiqued. The tone has a rich sonority which projects well and is easily produced.

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Ref: 192 Type: Cello Maker: Leon Mougenot (Gauche) Origin: French Year: 1932 Back length: 755mm

Leon Mougenot's atelier at Mirecourt, 1918

Léon Mougenot's ateliér at Mirecourt, France, 1918

At the age of thirteen, LEON MOUGENOT began his studies with his father George Mougenot, in Brussels. After working for the famous French maker Paul Blanchard in Lyons and then Paul Jombar in Paris, he removed to London and spent a few years with the World renown firm of W. E. Hill & Sons in Bond Street.

In 1899 he returned to France and created his own famous workshop in Mirecourt where it remained operating until the début of the 1950s. A list of some of the luthiers who worked for him, is an indication of the thoroughly high quality and standard of their output. [French] Charles Enel, Max Millant, Rene Jacquemin, Lucien Schmitt, Paul Bisch, Lucien Ragot. [English] Hill. [Italian] Carlo and Leandro Bisiach.

The 'cello which we are offering was made in the workshops in 1932 [numbered '274'] and is a supreme example of their finest work. It is in a mint condition and has a resonant, rich tone. [images pending]

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Ref: 191 Type: Violin Maker: Mariani School Origin: Italian Year: 1687 Back length: 350mm

ANTONIO MARIANI and his followers working in and around Pesaro, Italy at the turn of the 17th and 18th centuries produced instruments which have their stylistic foundations in the earlier Brescian School [i.e: Gaspa da Salo and Maginni] rather than showing any influence from the great city of Cremona. Indeed, many of the instruments of Mariani and his followers have been fraudulently 'upgraded' over the years to such names as Gaspa and Maginni.

We are offering, on behalf of a client, an Italian violin of the MARIANI SCHOOL which dates from circa 1690 and bears a printed label of Mariani dated 1687 at Pesaro.

Being in a generally very good condition, it is covered in a glorious yellow-brown varnish and has an attractive one piece back. It has a rich, reedy, booming tone with subtle colours.

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Ref: 172 Type: Violin Maker: Paul Bailly Origin: French Year: 1890 Back length: 355mm

Another example from this first class French maker which was made, however whilst he was resident in London. Bearing its original printed label it is dated '1890' and numbered '603', together with his signature and number in ink on the inner back. This copy of a Strad, is in a mint condition and represents his finest work. It is covered in the maker's best oil varnish of a red, amber-brown colour delicately shaded. The tone is exceptionally full and rich.

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Ref: 117 Type: Violin Maker: Paul Bailly Origin: French Year: 1863 Back length: 358mm Status: Sold or on reserve

Paul Bailly has earned the reputation of being one of France's top makers, having worked for J. B. Vuillaume in Paris. This violin is a rare example of his early work made when he was 19 years of age for his then teacher Gaillard in Mirecourt. It is based on the Strad and is in an almost perfect state. The craftsmanship is particularly fine and the tone rich and responsive.

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Ref: 189 Type: Violin Maker: Paul Blanchard Origin: French Year: 1907 Back length: 358mm

An exceptional and fine French violin made by PAUL BLANCHARD of Lyon, bearing the maker's original printed label dated 1907 and numbered 863, together with his external brand 'PB' on the lower rib below the button.

Born at Mirecourt in 1851, Blanchard developed as a maker over the following five decades to become one of the most respected Luthiers both in France and throughout many countries in Europe and the USA.

Apprenticed to Darte and supposedly the great J. B. Vuillaume in Paris, he worked firstly with H. C. Silvestre in Lyon between 1869 and 1876 and then established his own workshop in that great city. His reputation increased enormously and eventually became top maker to the Lyon Conservaiore, providing also stringed instruments and bows to the theatres and orchestras of that city.

This Strad copy, representing his best work, is in a mint condition and covered in a wonderful, transparent, deep red oil varnish, now so typical of the Lyon school of making. It has a tone of great warm, but with a 'well' of powerful sound to be tapped into when needed.

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Ref: 115 Type: Violin Maker: Paul Kaul Origin: French Year: 1904 Back length: 357mm

PAUL KAUL is another great 20th Century French maker, who worked both in Paris and Nantes and whose instruments are highly regarded in this country. Born in Mirecourt in 1875 [the sort of 'cradle' of violin making in France for many centuries] he worked his apprenticeship at the great and vast workshops of Thibouville-Lamy, who had been established there for decades. In 1900 he was fortunate to work for the great firm of Silvestre & Maucotel in Paris until 1907, when he created his own workshop in the beautiful Breton city of Nantes. He returned to Paris in the late 1920s. This superbly made violin, showing the influence of a Strad model is a typical example of his best work and is dated from 1912. It has a rich sonority and a great 'well' of power to explore. [Sold with the certificate of Serge Boyer of Paris.]

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Ref: 111 Type: Violin Maker: Silvestre & Maucotel Origin: French Year: 1906 Back length: 357mm

This Strad copy, made in the workshops of Silvestre & Maucotel in 1906, is covered in a deep rich red oil varnish. The condition is mint and the tone is full, rich and responsive. Silvestre & Maucotel established one of the finest Paris workshops at the début of the 20th Century, joining forces in 1900 and together, with their other talented makers, produced some very splendid instruments until 1913 when Hippolyte Silvestre died. Ernest Maucotel, who was apprenticed to Paul Bailly at Mirecourt, continued for several years in association with Deschamp.

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All instruments: £5,001 - £10,000

Ref: 195 Type: Viola Maker: Alfonso Cappellaro Origin: Italian Year: 1983 Back length: 414mm

ALFONSO CAPPELLARO of Vento [nr.Venice], Italy, has produced some splendid violins and violas and is considered to be a top-ranking 20th Century Italian maker. His work is cleanly executed and he uses the finest of wood. He uses a soft looking oil varnish, as this viola shows, which is an attractive orange, light red-brown colour.

The owners of the viola have played happily on it for over twenty years and kept it in a superb condition. The tone has a great depth and splendid resonance and is even on all four strings. £6,500

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Ref: 178 Type: Violin Maker: Alfred Vincent Origin: English Year: 1926 Back length: 356mm

ALFRED VINCENT was a highly regarded professional violinist in London before he turned his attention to making instruments and is regarded now, as one England's top, 20th century makers whose work is always immaculate but with that touch of individuality. This particular violin, which is a Strad copy, is a very fine example of his work and is in a mint condition. It has a most beautiful, well flamed one piece back. The varnish is a rich, honey-brown colour of exceptional quality and the tone full and rich and easy to produce.

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Ref: 129 Type: Violin Maker: Charles Brugere (née 1857) Origin: French Year: c.1885 Back length: 356mm Status: Sold or on reserve

This maker was the cousin of Charles Brugere of Paris and examples of his work are very rare indeed (he died at the age of 38). He worked for the famous violin house of Hel at Lille and then settled in Marseille. Similar in style to the work of his cousin, this instrument is a very fine example of his best work, in an almost mint condition. Certificate of Depierre Luthier, Paris.

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Ref: 130 Type: Violin Maker: Charles Le Lyonnais Origin: French Year: 1950 Back length: 359mm Status: Sold or on reserve

This is a very gracefully made instrument by an important mid 20th Century French maker. He worked in Mirecourt and then settled in Nantes. His instruments are highly regarded and this particular one is a fine example. The condition is mint.

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Ref: 194 Type: Viola Maker: David Milward Origin: English Year: 2009 Back length: 415mm

We have been asked to sell, on behalf of a client a modern viola made by one of England's top, professional makers. The present owners are reluctant to sell this instrument, since it has a tone that is full, rich and responsive, but the size of the viola has proved a little too large for them.

DAVID MILWARD's viola is stylistically his own conception and we feel he has achieved an instrument which is both artistic and acceptable [refer to images]. The wood which he has chosen is visually and acoustically of the highest order. The oil varnish is tastefully and gently 'antiqued' with a texture and patina very acceptable. We particularly like this instrument! £9,000

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Ref: 167 Type: Violin Maker: Franz Koch Origin: German Year: 1923 Back length: 357mm

Another fine example of the excellent work of Franz Koch of Dresden, showing just how superb German work can be. This violin is a Strad copy and is in a mint condition. It has the maker's original printed label together with his brands and is numbered "1-74". The tone is brilliant yet sympathetic and is an instrument ideal for an advancing younger player of grade VII plus.

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Ref: 162 Type: Violin Maker: French school Origin: French Year: c.1770 Back length: 357mm Status: Sold or on reserve

A rare and fine example from a late 18th Century provincial French maker. Bearing a facsimile printed label of 'Chappuy of Paris', this violin is in fact of a quality far better than the general work of Chappuy. The craftsmanship and style of making is of a superior quality. The condition is extremely good and the tone is exceptional. [Sold with a certificate of Rampal & Vatelot of Paris, 2008.]

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Ref: 185 Type: Violin Maker: George Wulme-Hudson Origin: English Year: c.1930 Back length: 357mm

This violin is a superb Nicolo Gagliano copy by the fine English maker GEORGE WULME HUDSON, completed around 1930. It is in a very good condition and has a particularly good oil varnish of a golden-brown colour and of a texture reminiscent of Neapolitan 18th century varnish. The choice of wood is exceptional, particularly the fine spruce table. In terms of tone, it has a great sonority and power over all the strings. Although this instrument is unlabelled, the maker's small brand 'caressi' can be seen on the upper, interior block.

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Ref: 190 Type: Violin Maker: Jacques Camurat Origin: French Year: 1957 Back length: 358mm

JACQUES CAMURAT was born in Madrid in 1927, but worked almost all the rest of his life in France, firstly with Paul Baur in Angers. In 1947 he removed himself to Paris and worked for several years in the workshops of the great Parisian and international expert Vatelot.

The violin which we offer here, was made in 1957 and is a fine testament to just how great and sympathetic a maker Camurat was. The crafting of the whole of this Strad inspired violin is of the highest order and it is covered in a beautiful soft, light, red-brown oil varnish which simply glows. It is in an almost perfect state and has a rich, vibrant tone of great quality and resonance.

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Ref: 120 Type: Violin Maker: Paul Bailly Origin: French Year: 1907 Back length: 359mm

Another fine example of this famous French maker's work, made in the last year of his life in Paris. Despite being made in his 63rd year, the violin shows no sign of a diminishing talent. The design is based on an older Italian instrument and is probably a copy of a violin belonging to one of his clients. It is in a near-mint condition, with a minor, top rib repair. The tone is of considerable strength but with a certain mellowness.

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Ref: 131 Type: Violin Maker: Paul Bailly Origin: French Year: c.1880 Back length: 358mm

What a fantastic and exciting maker PAUL BAILLY became! From his birth at Mirecourt in 1844 until his death in 1907 he worked in and travelled to, many places throughout Europe. He was a highly prolific maker and believed in the work ethic that 'fast work was good work'. A rather arrogant statement to make for most craftsman, but in his case, it worked. Having been trained by the great Jules Gaillard he went to work for the even greater, world renowned Luthier in Paris, J. B. Vuillaume. In artistic conception, his work is quite varied, but always underpinned by superb craftsmanship. This violin, which is in a mint condition, dates from circa 1880 and is based on the Strad model. Tonally, it is full and rounded and remarkably responsive.

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All instruments: £2,001 - £5,000

Ref: 118 Type: Violin Maker: Amédée Dieudonné Origin: French Year: 1943 Back length: 355mm Status: Sold or on reserve

The Dieudonné workshop, flourishing in Mirecourt in the early part of the twentieth century, was one of the best of its time. This violin is a Guarneri copy, in a near-perfect state, covered with the most beautiful rich, deep red varnish.

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Ref: 175 Type: Violin Maker: Berlin School Origin: German Year: c.1860 Back length: 355mm

A very good German violin of the BERLIN SCHOOL, probably from the workshops of AUGUST REICHERS circa 1860. A copy of a Carlo Bergonzi, this instrument is in a mint condition and covered in a fine amber, light-brown coloured varnish. We consider this instrument ideal for a younger player of Grade VI plus standard.

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Ref: 154 Type: Viola Maker: Dennis Plowright Origin: English Year: c.1995 Back length: 413mm

An extremely good modern viola by this well known English maker. The viola is in a mint condition covered in a golden varnish and offers ideal value for a student. £2,250

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Ref: 174 Type: Violin Maker: English school Origin: English Year: c.1830 Back length: 356mm Status: Sold or on reserve

This is a particularly good English instrument made circa 1830 of the LEEDS SCHOOL, being in a mint condition. Typical of the style of instruments made by these makers, this violin in particular shows the influence of MARK DEARLOVE. The varnish is a fine light orange-brown colour in its original state. The tone is particularly strong but sympathetic.

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Ref: 119 Type: Violin Maker: Franz Koch Origin: German Year: 1925 Back length: 358mm Status: Sold or on reserve

Too often, musicians are critical of German violins. To play and see this instrument would change their opinion. This beautifully made instrument is in a near perfect state and has an exceptional tone.

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Ref: 157 Type: Violin Maker: Leon Mougenot (Gauche) Origin: French Year: 1919 Back length: 356mm

This famous French workshop, under the direction of Leon Mougenot, produced instruments of the finest quality. Leon was the son of George Mougenot who had established himself in Brussels as a very fine French/Belgium maker of international fame. Before settling in Mirecourt around 1899 to create his own workshop, Leon worked both in Lyons and Paris and even spent a few years in London working for the great firm of W. E. Hill & Sons in Bond Street. This violin, which is a Strad copy, is in a mint condition and covered in a light, honey-brown coloured varnish. The tone is powerful, expressive and very even across all the strings.

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Ref: 177 Type: Violin Maker: Louis Lowendall Origin: German Year: c.1880 Back length: 356mm Status: Sold or on reserve

A particularly fine German violin made circa 1860 in the workshops of LOUIS LOWENDALL at Dresden bearing the printed facsimile label of 'Stradivari'. This fine copy is in a mint condition and covered in a good orange-brown varnish which is tastefully antiqued. [images pending]

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Ref: 187 Type: Violin Maker: Louis Lowendall Origin: German Year: c.1880 Back length: 357mm

The German workshops of LOUIS LOWENDALL were probably one of the largest in Europe during the late 19th and early 20th centuries, producing instruments and bows of the highest quality for musicians of all levels. The choice of wood and varnish was always of the highest standard and their instruments were sold throughout the World. This violin, known as the 'Paganini' model, is in a mint condition and the varnish a tastefully antiqued red-brown colour. The tone is fully rich and resonant.

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Ref: 132 Type: Viola Maker: Mirecourt School Origin: French Year: c.1890 Back length: 395mm

Probably from the workshops of Laberte at Mirecourt, this instrument is in an almost mint condition. It is ideal for a student requiring their first quality instrument.

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Ref: 176 Type: Violin Maker: Saxon School Origin: German Year: c.1860 Back length: 356mm

A very good German school of the SAXON SCHOOL made circa 1860 being in a mint condition (bearing its original fingerboard which is in good condition). A Strad influenced violin, it is covered in a good transparent amber coloured varnish.

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All instruments: Up to £2,000 (students' instruments)

IMPORTANT NOTICE. We would ask that you read about our 'Buy Back Guarantee'. We try to carry a varied stock of student violins to suit every pocket, ranging from £500 to £2,000. We purchase only those instruments which are in a near-perfect, mint or near-mint condition and each is set up with the best quality fittings.

Ref: 124 Type: Viola Maker: Amédée Dieudonné Origin: French Year: 1922 Back length: 379mm Status: Sold or on reserve

Petite violas of quality are few and far between. We are especially pleased, therefore, to offer one which was made by Amédée Dieudonné. The condition is mint and it is covered in a beautiful rich, red varnish. The tone of this viola is remarkably powerful and rich.

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Ref: 136 Type: Violin Maker: Cousenon School Origin: French Year: c.1890 Back length: 358mm

This is a Strad copy, from an important workshop, which is in mint condition. £1,600

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Ref: 166 Type: Violin Maker: Dresden School Origin: German Year: c.1870 Back length: 360mm Status: Sold or on reserve

An extremely well made and attractive violin of the Dresden school. It is a Strad copy covered in a delightfully antiqued red-brown varnish and offers a tone of great carrying power.

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Ref: 125 Type: Violin Maker: Heberlein School Origin: German Year: c.1890 Back length: 357mm Status: Sold or on reserve

In a near perfect condition, this Strad copy is an ideal instrument for a progressing student of Grade VII standard. £1,800.

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Ref: 134 Type: Violin Maker: Heberlein School Origin: German Year: c.1880 Back length: 357mm Status: Sold or on reserve

This Strad copy, made circa 1880, has a small repair on the table and is an excellent violin for the young player. £850.

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Ref: 193 Type: Violin Maker: J T Lamy Origin: French Year: c.1920 Back length: 356mm

The French firm of JEROME THIBOUVILLE-LAMY produced musical instruments of every description and were active for over a century in the famous town of Mirecourt. Their production of stringed instruments and bows encompassed every quality, from the cheapest student instrument to the highest quality professional. Amongst their comprehensive range was a violin called the 'Sarasate' named after the great late nineteenth century virtuoso.

This particular violin bears the 'Sarasate' brand on the back button together with a copy label of Nicola Amati [the instrument is a copy of the work of that great Italian luthier]. It is in a mint condition and covered in a beautiful rich-red varnish and has an extremely fine tone.
£2,000.

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Ref: 135 Type: Violin Maker: Miroslav Tsonay Origin: Bulgarian Year: 1994 Back length: 356mm

This violin from the workshops of MIROSLAV TSONAY in Sophia, Bulgaria is an exceptional example of mid European work which is in a perfect state. The choice of wood is excellent and the varnish a very attractive light, red-brown colour. The tone is full and rich and very responsive.
£1,800

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Ref: 133 Type: Violin Maker: Neuner Origin: German Year: c.1840 Back length: 359mm Status: Sold or on reserve

A nice example of the Neuner workshop in Mittenwald, made circa 1840, which is in an almost mint condition. £1,800.

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Ref: 153 Type: Cello Maker: Neuner & Hornsteiner Origin: German Year: c.1860 Back length: 643mm Status: Sold or on reserve

A fine and rare half size German cello made circa 1860 in Mittenwald in the workshops of Neuner & Hornsteiner. Covered with a rich, red varnish on an amber ground, this instrument is in a good condition. The tone is full and rich. £1,400.

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Ref: 161 Type: Violin Maker: Paesold Origin: German Year: 2002 Back length: 357mm Status: Sold or on reserve

A mint condition student instrument from this famous German workshop. Ideal for a young player requiring their first good full-size violin. A Strad copy in mint condition.

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Ref: 138 Type: Violin Maker: (unknown) Origin: German Year: c.1970 Back length: 356mm Status: Sold or on reserve

A modern German violin, a Strad copy, in a mint condition. £850.

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Ref: 139 Type: Violin Maker: (unknown) Origin: Slovak Year: c.1930 Back length: 355mm

A mint condition Strad copy from a Slovak workshop, ideal for a student up to Grade IV. £750.

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All instruments: Up to £2,000 (children's instruments - small sizes)

IMPORTANT NOTICE. Please read about our 'Buy Back Guarantee' as it applies particularly to customers purchasing a small size instrument. Again, we endeavour to offer a varied selection of top quality small sized violins. The ones listed below are in a near perfect, mint or near mint condition. All represent the highest level of quality and set up to give the best possible tone.

Ref: 144 Type: Violin Maker: Dresden School Origin: German Year: c.1870 Size: half Status: Sold or on reserve

A near perfect condition Strad copy. £1,500.

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Ref: 140 Type: Violin Maker: Laberte workshop Origin: French Year: c.1890 Size: three quarters

Three quarter, French, Labert workshop, mint condition - a very pretty violin. £1,400.

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Ref: 141 Type: Violin Maker: Mirecourt School Origin: French Year: c.1890 Size: three quarters

Three quarter, French violin, workshop of J. Thibouville-Lamy, made circa 1890. Mint condition - another pretty violin. £1,500.

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Ref: 143 Type: Violin Maker: Mirecourt School Origin: French Year: c.1900 Size: three quarters

Three quarter French violin from the workshop of J. Thibouville-Lamy made circa 1900 labelled "Mansuy". Good condition. £600

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Ref: 145 Type: Violin Maker: Mirecourt School Origin: French Year: c.1900 Size: half

In a near perfect condition, a copy of a "Breton". £1,300.

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Ref: 146 Type: Violin Maker: Mirecourt School Origin: French Year: c.1900 Size: half

A near perfect half size French violin, Strad copy. £1,200.

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Ref: 147 Type: Violin Maker: Mirecourt School Origin: French Year: c.1920 Size: half

Mint condition half size violin, Mirecourt School. £925.

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Ref: 148 Type: Violin Maker: Mirecourt School Origin: French Year: c.1910 Size: half

A mint condition half sized Mirecourt violin labelled "El Maesro". £800.

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Ref: 142 Type: Violin Maker: Mittenwald Origin: German Year: c.1890 Size: three quarters

Three quarter German violin made in the workshops of Neuner & Hornsteiner, a Strad copy in a very good condition. £1,400.

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All instruments: New hand-made

In addition to the older instruments recommended for students (up to about grade VIII standard), we are delighted to offer hand-made instruments from two of the finest workshops in China. The images, where shown, give a good indication of their high quality. We choose them for their exceptional craftsmanship and choice of wood, many of which are made from European wood (Bulcan maple and Italian spruce) and also the use of a superb oil varnish, tastefully antiqued. They are finished and set up in our workshop with the finest fittings, strings and materials, in order to offer a sound of the highest quality.

Ref: 150 Type: Violin Maker: (various) Origin: Chinese Year: n/a Size: full-size

Indicative price range: £600 - £2,000.

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Ref: 151 Type: Viola Maker: (various) Origin: Chinese Year: n/a Size: [various]

Indicative price range: £700 - £2,000.

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Ref: 152 Type: Cello Maker: (various) Origin: Chinese Year: n/a Size: [various]

Indicative price range: £1,600 - £2,800.

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Ref: 160 Type: Cello Maker: (various) Origin: Chinese Year: n/a Back length: 760mm

Another superb example of a hand made cello from one of the best Chinese workshops. This Strad copy is in a perfect state and made from the finest wood and covered in a rich red-brown varnish. The tone is deep, rich and easily produced. £3,000.

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